March 18, 2002

Cultural Prozac
and

ecstasies of coziness
and
golden blurs of unattainable bliss

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Deer at dusk on AuTrain Lake near the Crow's Nest Cottage.

Temperatures climbed to the mid 40's today under a blindingly bright sun and remarkably blue sky.  Dealing with late winter hunger, the deer are wandering the area during all times of the day and night in their search for food.

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Furthermore, once the novel gets into even the most tepid doings of its characters it begins to drift away from the ecstasies of coziness conjured by Kinkade's paintings.  The interiors of all his preternaturally adorable cottages appear to the viewer as golden blurs of unattainable bliss; you can no more plausibly imagine living in them than you can picture frolicking on the surface of the sun.  Kinkade has made an entire, hugely lucrative career out of invoking and vulgarizing the dreamy experience of taking an evening walk and admiring the homely warmth emanating from the neighbors' windows.

Laura Miller, from her review of Thomas Kinkade's Cape Light,
The New York Times.

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